đ„đŹ Cillian Murphy STUNS in Netflixâs Most Haunting Role Yet đ±đ„ â Critics Say His âAwards-Worthyâ Turn as a Broken Headteacher Will Leave You SHAKEN! đ„đ„
Cillian Murphy STUNS in Netflixâs Steve â Critics Say His âAwards-Worthyâ Role as a Broken Headteacher Will Leave You Shaken!
When Netflix announced that Cillian Murphy would lead a small, gritty British drama about a failing reform school, few expected the result to hit with the seismic force of Steve. Yet within hours of its first festival screenings, critics erupted with praise, hailing Murphyâs performance as âawards-worthy,â âcinematic dynamite,â and âone of his most uninhibited turns to date.â
The Irish actor, still glowing in the aftermath of his Oscar win for Oppenheimer, seems to have gone in the complete opposite direction with Steve â swapping nuclear physicists and polished prestige projects for raw, jagged, kitchen-sink realism. And, if early reviews are anything to go by, it might just be his most gut-wrenching work yet.
A Story That Hits Like a Punch to the Gut
Steve is adapted from Max Porterâs acclaimed novel Shy â a haunting exploration of troubled youth, systemic neglect, and the desperate figures trying to hold everything together.
Murphy plays Steve, the beleaguered head of Stanton Wood, a controversial residential reform school described by one character as âa waiting room for borstal.â Itâs the last stop for teenagers whoâve been rejected everywhere else â young men haunted by trauma, violence, and rage, whose next step is often prison.
The film takes place over a blistering 24 hours. Within that tight timeframe, everything threatens to collapse: the students riot, teachers burn out, funding disappears, and Steve himself faces the unravelling of his mental health.
Alongside him stands his deputy, played by Tracey Ullman with a mix of grit and dark humour. Together, the pair attempt to guide their chaotic students â but as the night unfolds, the cracks widen.
At its centre is a deeply moving connection between Steve and Shy (Jay Lycurgo), a troubled boy oscillating between fragility and self-destruction. Their scenes together have been singled out as âshatteringâ and âunforgettableâ by reviewers.

Critics Say: âUrgent, Powerful, Awards-Worthyâ
The response has been nearly unanimous: Murphy has once again delivered a career-defining performance.
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Radio Times awarded four stars, calling Murphyâs turn âawards-worthyâ and praising the teamâs âresponsible, intelligent filmmaking.â
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Empire echoed the sentiment, describing the film as âcinematic dynamiteâ and applauding Murphyâs ability to âconvey true emotional turmoil like few others.â
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Metro declared the project an âawards-season contenderâ that continues to haunt long after viewing.
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Rolling Stone UK lauded the film as âdarkly funny, thought-provoking, and nail-biting.â
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The Guardian went further, calling Murphyâs work here âone of his most uninhibited and demonstrative performances.â
Even the usually stern Financial Times awarded a rare five out of five, singling out the âbrilliant, eloquentâ Murphy and praising the entire ensemble as âsuperb.â
Not everyone was entirely swept away â The Timesâ Kevin Maher, while impressed by Murphyâs intensity, gave the film three stars, describing it as âa tough watch, like sitting through someone elseâs scream therapy.â But even in his less enthusiastic review, Maher admitted that Murphy was âmesmerising.â
A Glimpse Into the Chaos
Critics have noted the filmâs deliberately unpolished execution. Shaky handheld camerawork, manic pacing, and scenes that feel almost improvisational create an atmosphere of chaos that mirrors the boysâ lives.
âItâs raw, jagged, even crude,â wrote The Telegraphâs Tim Robey. âBut the longer you sit with it, the more truthful it feels.â
This realism, combined with Murphyâs piercingly human performance, leaves audiences both exhausted and exhilarated. Mashableâs Kristy Puchko called it âan energetic and even at times joyful film about hope and community, despite its darkness,â singling out Murphyâs âsharp blue eyes aching with responsibility and powerlessness.â
Behind the Camera: A Dream Team Reunion
Part of what makes Steve so potent is the creative team behind it. Directed by Tim Mielants (Peaky Blinders, Small Things Like These) and adapted by Max Porter himself, the film benefits from an unusually close collaboration between novelist and filmmaker.
Mielants, who has worked extensively with Murphy, seems to know exactly how to push the actor into uncomfortable, electric territory. Their partnership, fresh off the critical success of Small Things Like These, has now produced back-to-back triumphs.
âMurphy is the eye of the storm,â said Porter in a recent interview. âWe wanted to capture not just the noise of these institutions but the quiet despair beneath it. Cillian understood that instinctively.â
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Murphy at His Rawest
For Murphy, Steve marks a continuation of his fascination with fragile, complex men. But unlike Oppenheimerâs intellectual restraint or Tommy Shelbyâs icy control, Steve is all exposed nerve endings: shouting one moment, collapsing in tears the next, clinging to his students as if saving them might save himself.
âHeâs at his rawest here,â says film critic Anna Smith. âThere are no slick monologues, no neat resolutions. Just a man breaking in real time.â
On set, Murphy reportedly immersed himself in the world of alternative schools, meeting with teachers and students who had lived through similar experiences. His preparation, combined with his intensity, has drawn comparisons to Daniel Day-Lewis in There Will Be Blood â a performance that consumes the screen and leaves everyone else orbiting around it.
A Film That Confronts the System
Beyond Murphyâs acting, Steve is also being praised for tackling bigger questions: the failures of education, the lack of support for vulnerable youth, and the crushing toll on underfunded teachers.
Critics note that it never becomes preachy. Instead, it shows the human cost of systemic collapse through raw character drama.
âThis isnât just a film about one man,â wrote Radio Timesâ Terry Staunton. âItâs about a system on the brink â and the people trapped inside it.â
For viewers in the UK, where debates about youth crime, school exclusions, and government cuts rage daily, Steve feels painfully timely.
Festival Buzz and Awards Speculation
Premiering to packed houses at the Toronto International Film Festival earlier this month, Steve quickly became the title everyone was talking about. Industry insiders now believe Netflix has another awards contender on its hands, hot on the heels of last yearâs Maestro and All Quiet on the Western Front.
Murphy, already tipped for BAFTA and Oscar consideration, could make history as one of the few actors to win back-to-back Academy Awards. âItâs rare for lightning to strike twice so quickly,â said Varietyâs awards editor. âBut Murphy may have pulled it off.â
Tracey Ullman and Jay Lycurgo are also attracting supporting-actor buzz, with many calling their performances âscene-stealing.â
Audience Reactions: âI Couldnât Breatheâ
On social media, early audiences have echoed the criticsâ intensity.
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âThis film broke me. I couldnât breathe through the last 20 minutes,â one viewer posted on X (formerly Twitter).
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âCillian Murphy has ruined me again. Give him ALL the awards,â another wrote.
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On TikTok, clips of Murphyâs emotional breakdown scene have already racked up millions of views, with fans overlaying captions like âthe acting of our generation.â
Netflix appears to have a viral hit in the making â and one that may sit in viewersâ minds long after the credits roll.
Why Steve Matters
In an era when glossy biopics and high-budget action dominate, Steve feels almost radical. Itâs short (a tight 92 minutes), stripped-back, and unafraid of being ugly. There are no easy answers, no neat catharsis.
Instead, it leaves audiences unsettled â asking difficult questions about how society treats its most vulnerable, and whether one personâs compassion can make any difference in a crumbling system.
For Murphy, itâs the kind of challenge he thrives on. âIâve never been interested in heroes or villains,â he said in a recent interview. âIâm interested in the grey areas â in people who are trying and failing, but still getting up the next morning. Steve is one of those men.â
Release Dates
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Steve opened in select UK cinemas on September 19, 2025.
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It will debut globally on Netflix October 3, 2025.
Given the early hype, itâs likely to dominate conversation throughout the autumn â not just among critics but among everyday viewers, who may find themselves both shaken and strangely uplifted by its brutal honesty.
VERDICT
Cillian Murphy has already cemented himself as one of the greatest actors of his generation. With Steve, he proves it once again â disappearing into a role thatâs messy, heartbreaking, and unforgettable.
Whether or not the Oscars come calling again, one thing is clear: Murphy has delivered a performance for the ages.
And if you thought Oppenheimer was the peak of his career, think again. Steve is the film that will leave you sleepless, haunted, and desperate to talk about what youâve just seen.
STEVE: WHAT CRITICS SAY
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Radio Times (4/5): âAwards-worthy. Responsible, intelligent filmmaking.â
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Empire (4/5): âCinematic dynamite. True emotional turmoil.â
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Metro (4/5): âStill thinking about it after days.â
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Rolling Stone UK (4/5): âDarkly funny, thought-provoking, nail-biting.â
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The Guardian (4/5): âOne of Murphyâs most uninhibited performances.â
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Financial Times (5/5): âBrilliant, eloquent, superb ensemble.â
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The Times (3/5): âTough watch. Murphy mesmerising.â
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The Telegraph (4/5): âRaw, jagged, truthful.â
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Mashable: âEnergetic, joyful amid darkness.â
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The Washington Post (3/5): âNo happy endings. Unexpected, moving twist.â